Copyright licensing in a digital age competition, compensation, and the need to update the cable and satellite TV licenses : hearing before the Committee on the Judiciary, House of Representatives, One Hundred Eleventh Congress, first session, February 25, 2009. by United States. Congress. House. Committee on the Judiciary

Cover of: Copyright licensing in a digital age | United States. Congress. House. Committee on the Judiciary

Published by U.S. G.P.O., For sale by the Supt. of Docs., U.S. G.P.O. in Washington .

Written in English

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  • Copyright -- Broadcasting rights -- United States,
  • Copyright licenses -- United States,
  • Cable television -- Licenses -- United States,
  • Direct broadcast satellite television -- Licenses -- United States,
  • Copyright -- Royalties -- United States

Book details

LC ClassificationsKF27 .J8 2009b
The Physical Object
Paginationiii, 166 p. ;
Number of Pages166
ID Numbers
Open LibraryOL23839251M
ISBN 100160833809
ISBN 109780160833809
LC Control Number2009438099

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COPYRIGHT LICENSING IN A DIGITAL AGE: COMPETITION, COMPENSATION AND THE NEED TO UPDATE THE CABLE AND. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device : Randolph J.

May, Seth L. Cooper. The publisher of this book allows a portion of the content to be copied and pasted into external tools and documents. Search Tips. Phrase Searching You can use double quotes to search for a series of words in a particular order.

For example, "World war II" (with quotes) will give more precise results than World war II (without quotes). Wildcard Searching If you want to search for multiple variations of a word, you can substitute a special symbol (called a "wildcard") for one or more letters.

Modernizing Copyright Law for the Digital Age: Constitutional Foundations Copyright licensing in a digital age book Reform (). Authors: Randolph J. May, Seth L.

Cooper. Carolina Academic Press. The authors take it as axiomatic that ownership is an important concept that needs to be preserved in the digital age — at least as a choice we can make when we obtain goods (physical or digital).

The book starts out with an explanation of the three types of property that the law recognizes: real property (like real estate), personal property, and intellectual property. Licensing Digital Content is now available in its third edition. This book is a practical guide for librarians and others who license digital content such as databases, periodicals and journals.

It and our in-depth online course Licensing Digital Content are complementary resources for anyone who'd like to learn more about this area. In place of the sale of a book as a physical product, the digital transaction is the grant of a licence to access, stream, rent, download to own, share and to use creative content Copyright licensing in a digital age book an ever increasing variety of ways.

This book-length article looks at pretty much every facet of copyright in general and how it relates to the internet. For anyone creating or using content on the internet, it is a must-read. It contains a table of contents to help find just the information you need.

The Digital Age presents new challenges to fundamental copyright doctrines that are legal cornerstones of library services. Libraries are leaders in trying to maintain a balance of power between copyright holders and users, in keeping with the fundamental principles outlined in the Constitution and carefully crafted over the past years.

Under copyright law, authors of original works of authorship that are tangibly fixed in a medium have a bundle of rights. The bundle includes the six economic rights of reproduction, preparation of derivative works, distribution, public performance, public display, and digitally transmitting sound recordings.

U.S. Copyright Office is an office of public record for copyright registration and deposit of copyright material. COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus.

Learning in a Digital Age (LiDA) is about learning on the Internet and we recommend that any learner embarking on tertiary study in today’s world should take this free course. Open education, copyright and open licensing in a digital world is the third of four LiDA micro-courses, where you will learn to effectively apply knowledge of.

The copyright process has become fairly simple with traditional works like books, plays, movies, and theater. But copyright is a little more difficult with the advent of the internet. For example, bloggers must be aware of what they write, to avoid copyright, trademark, and libel issues.

A copyright, or aspects of it, may be assigned or transferred from one party to another creating a “license to use.” One very common example of copyright licensing.

The music industry is making a big push this year to reform copyright laws for the digital age, with a package of bills that could increase royalties for creators while making life easier for. Before I go further, let me explain the types of licensing rights authors usually exploit: 1.

Print 2. Digital (ebooks, apps, video games, etc.) 3. Audio 4. Translation 5. Movie 6. Television 7. Merchandise 8. Franchise: (allowing other writers to use characters from your books as long as they give a percentage of the royalties). In the digital age, copyright law and its relationship with photography has become increasingly more important to understand, and very possible to enforce.

The appropriation of your photography by online pirates can be done with a few keystrokes so being equipped with knowledge of the law can go a long way in protecting your photography from. Kasia M. "Rocket Lawyer is a helpful tool for professionals who need legal documents at an affordable price.".

And the increased abilities of libraries to offer on-line access to books and other copyrighted works is a development that is both necessary and possible in the digital age. However, none of these possibilities should require Google to have immediate, unfettered, and risk-free access to the copyrighted works of other people.

: AEShareNet: reflections on an innovative venture to move copyright licensing into the digital age.: An article from: The Australian Library Journal: e-Books & Docs.

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Work that is in the Public Domain is not protected by copyright law. This work, then, is free to use and doesn’t require permission from the copyright owner. Typically, works go into the public domain after the original copyright on a work expires: 70 years after the death of its author.

However, work can also go into the public domain if it is. In the course of the last two decades, collective management organizations (CMOs) have become the nerve centres of copyright licensing in virtually every country.

Their expertise and knowledge of copyright law and management have proven essential to make copyright work in the digital age. Google Books just won a decade-long copyright fight.

By "The product acts like a card catalog for the digital age by giving people a new way to find and buy books while at the same time. It may be hard to imagine in the digital age, but prior to the advent of home videocassettes, movies were not readily available to consumers for purchase or rental.

The rise of home videocassettes and video rental stores revolutionized the way consumers obtained and viewed movies.

These technological advances created a need for copyright. right law. Today, a digital file can be copied and instantaneously distributed worldwide through the Internet, thus potentially depriving the copyright holder of revenue from licensed sales.

As a result, holders of copyright on creative works in digital format are contesting the right of consumers to make personal copies of copyrighted materials. So, the book you are looking at is still under copyright despite its advanced age.

I spoke to Jeremy, the yearbook advisor, and he said that you could digitize and post online sections relevant to specific genealogy projects, but it couldn’t be more than half of a particular yearbook. In the digital age of music, music may be copied and distributed at minimal cost through the Internet; however, the record industry attempts to provide promotion and marketing for the artist and their work so it can reach a much larger audience.

A copyright holder need not transfer all rights completely, though many publishers will insist. "Music licensing in the digital age" published on 26 Apr by Edward Elgar Publishing. Sometime last year, I was chatting about digital first sale and e-lending with a highly respected copyright lawyer, someone who is deeply knowledgeable about those issues.

We were talking about the library community’s longstanding attempts to get a lending right for digital files in law. External links. The edition is archived in the "Deep Blue" repository at University of Michigan; The edition available for free online under CC-BY-ND Ownership vs Licensing in the Digital Age – 26 Feb Amsterdam, started the discussion by outlining the main legal differences between owning a work (e.g.

a book) and getting a license (e.g. an ebook). Promote the development of national and international digital copyright exchanges to facilitate licensing of digital services that. As Sarah Faulder of the UK’s Publishers Licensing Society sees it, we might even need a new word for a new age.

“We have thought long and hard about what we could replace the word copyright with, and no one has come up with a good solution. It does have a very arcane, historic ring to it, which is not helpful in the internet age. “In this day and age, reducing wait times and speed of answer is critically important if the issue cannot easily be resolved by the customer.

CCC has got that figured out.” “CCC is among a great group of companies that have helped build the foundation for content on the web, as well as emerging stars on the cutting edge, showing us all.

According to the final report[PDF file], issued in“it was clear that fair use was alive and well in the digital age, and that attempts to draft widely supported guidelines will be complicated by the often competing interests of the copyright owner and user communities” (p.

18). Publication date Note Shipping list no.: P. "Serial no. " ISBN Recent Advocacy March ALA's Response to cancellation of Macmillan embargo Summary of Positions All published works must be available for libraries to purchase and lend to library users.

Access to and use of eBooks must equitably balance the rights and privileges of readers, authors, and publishers. Digital content must be accessible to all people, regardless of physical or reading. information on the economic significance of copyright in a sample of 12 economies over time In addition to characterising how copyright-intensive industries have fared, the country studies summarise the principal characteristics of each economy’s copyright laws, as well as how and why they have evolved (if at all) in recent years.

What librarians seek in any copyright law revision or rulemakings What librarians seek as copyright law and related rules are being reshaped for the digital age is to maintain for users, and for libraries and educational institutions acting on their behalf, their rights to at least the same extent as they have enjoyed them in the analog.Australia reforms copyright for a digital age but snubs the big platforms to quote parts of a book or for academics to research.

to a copyright framework that is fit for the digital age.Frankfurt Book Fair In OctoberI attended the Frankfurt Book [ ] IGNITE funding captures insights to advance Aussie publishing Kate Sherington, Digital Business Manager at Pan Macmillan Australia, attended the Digital Publishing Innovation Summit in London incourtesy of a .

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